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Title:The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
Format Type:Ebook
Author:
Publisher:Belknap Press
ISBN:0674024451
ISBN 13:
Number of Pages:374
Category:Art, Philosophy, Non fiction, Theory, Essays, Photography

The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media by Walter Benjamin, Michael W. Jennings, Brigid Doherty, Edmund F.N. Jephcott, Rodney Livingstone, Howard Eiland, Thomas Y. Levin

PDF, EPUB, MOBI, TXT, DOC The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media p Benjamin s famous Work of Art essay sets out his boldest thoughts on media and on culture in general in their most realized form while retaining an edge that gets under the skin of everyone who reads it In this essay the visual arts of the machine age morph into literature and theory and then back again to images gestures and thought p p This essay however is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin s explorations on media Long before Marshall McLuhan Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul p p This book contains the second and most daring of the four versions of the Work of Art essay the one that addresses the utopian developments of the modern media The collection tracks Benjamin s observations on the media as they are revealed in essays on the production and reception of art on film radio and photography and on the modern transformations of literature and painting The volume contains some of Benjamin s best known work alongside fascinating little known essays some appearing for the first time in English In the context of his passionate engagement with questions of aesthetics the scope of Benjamin s media theory can be fully appreciated p

  • The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media

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  • Reflections: Essays, Aphorisms, Autobiographical Writings

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  • Walter Benjamin: Selected Writings, Volume 1, 1913-1926

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  • The Writer of Modern Life: Essays on Charles Baudelaire

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The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media, One Way Street And Other Writings, The Arcades Project, Reflections: Essays, Aphorisms, Autobiographical Writings, The Writer of Modern Life: Essays on Charles Baudelaire, Berlin Childhood around 1900, The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin: Selected Writings, Volume 1, 1913-1926, The Origin of German Tragic Drama, Illuminations: Essays and Reflections
To great writers Walter Benjamin once wrote finished works weigh lighter than those fragments on which they labor their entire lives Conceived in Paris in and still in progress when Benjamin fled the Occupation in i The Arcades Project i in German i Das Passagen Werk i is a monumental ruin meticulously constructed over the course of thirteen years the theater as Benjamin called it of all my struggles and all my ideas br br Focusing on the arcades of nineteenth century Paris glass roofed rows of shops that were early centers of consumerism Benjamin presents a montage of quotations from and reflections on hundreds of published sources arranging them in thirty six categories with descriptive rubrics such as Fashion Boredom Dream City Photography Catacombs Advertising Prostitution Baudelaire and Theory of Progress His central preoccupation is what he calls the commodification of things a process in which he locates the decisive shift to the modern age br br i The Arcades Project i is Benjamin s effort to represent and to critique the bourgeois experience of nineteenth century history and in so doing to liberate the suppressed true history that underlay the ideological mask In the bustling cluttered arcades street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera Here at a distance from what is normally meant by progress Benjamin finds the lost time s embedded in the spaces of things, p Benjamin s famous Work of Art essay sets out his boldest thoughts on media and on culture in general in their most realized form while retaining an edge that gets under the skin of everyone who reads it In this essay the visual arts of the machine age morph into literature and theory and then back again to images gestures and thought p p This essay however is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin s explorations on media Long before Marshall McLuhan Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul p p This book contains the second and most daring of the four versions of the Work of Art essay the one that addresses the utopian developments of the modern media The collection tracks Benjamin s observations on the media as they are revealed in essays on the production and reception of art on film radio and photography and on the modern transformations of literature and painting The volume contains some of Benjamin s best known work alongside fascinating little known essays some appearing for the first time in English In the context of his passionate engagement with questions of aesthetics the scope of Benjamin s media theory can be fully appreciated p, A companion volume to i Illuminations i the first collection of Walter Benjamin s writings i Reflections i presents a further sampling of his wide ranging work Here Benjamin evolves a theory of language as the medium of all creation discusses theater and surrealism reminisces about Berlin in the s recalls conversations with Bertolt Brecht and provides travelogues of various cities including Moscow under Stalin He moves seamlessly from literary criticism to autobiography to philosophical theological speculations cementing his reputation as one of the greatest and most versatile writers of the twentieth century Also included is a new preface by Leon Wieseltier that explores Benjamin s continued relevance for our times, Walter Benjamin is widely acknowledged as amongst the greatest literary critics of this century and i The Origin of German Tragic Drama i is his most sustained and original work Indeed Georg Lukacs one of the most trenchant opponents of Benjamin s aesthetics singled out this work as one of the main sources of literary modernism in the twentieth century br br i The Origin of German Tragic Drama i begins with a general theoretical introduction on the nature of the baroque art of the sixteenth and seventeenth centuries concentrating on the peculiar stage form of the royal martyr dramas called i Trauerspiel i Benjamin also comments on the engravings of Durer and the theatre of Shakespeare and Calderon Baroque tragedy he argues was distinguished from classical tragedy by its shift from myth into history br br The characteristic atmosphere of the i Trauerspiel i was consequently melancholy The emblems of baroque allegory point to the extinct values of a classical world that they can never attain or repeat Their suggestive power however remains to haunt subsequent cultures down to this century